![]() “For a lot of people, it’s a touchstone.” The strong response to the adaptation, then, is not surprising.Īljoe may be more charitable than some fans she acknowledges that even the best Austen adaptations are not going to be completely accurate, and it’s unfair to demand that they are. “It’s just a really wonderful novel, and it has the most romantic letter ever written,” Aljoe says. In the 200 years since its publication, Aljoe says, “Persuasion,” and especially its lessons on marriage, friendship, and class, still resonates widely with readers. Nicole Aljoe, Professor of English and African American Studies at Northeastern University. Now in her late 20s, Elliot is forced to contend with her decision after her former suitor comes back into her life. “Persuasion” was written shortly before Austen’s death in 1817, becoming the last of her six major published novels, which include other classics like “Pride and Prejudice” and “Emma.” The story follows Anne Elliot, an upper-class woman who, following the advice of those around her, rejected a marriage proposal seven years earlier. She says that while it’s not possible to achieve full accuracy in a film adaptation, from what she’s seen, this one does fall short of expectations. What went wrong with this iteration of “Persuasion”? Nicole Aljoe, professor of English and Africana studies in the College of Social Sciences and Humanities, teaches classes on Austen, including Austen in film. ![]() (The film has received some positive reviews, but holds a 36% rating on Rotten Tomatoes.) “It warms the cockles of my heart to see how Austen lovers have risen as one and condemned this monstrosity,” wrote one user in a comment on the YouTube trailer. “Awful,” “awkward and lifeless,” and “a tough sell,” are just a few of the ways critics have described the latest adaptation of Jane Austen’s 1817 novel “Persuasion.”Ĭritics and Austen fans alike have widely panned the film, which premieres July 15 on Netflix, for diluting Austen’s language and altering the characterization of its heroine, Anne Elliot, played by Dakota Johnson. ![]()
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